Gary Younge has written the best article ever on Barack Obama and the race question. He coherently recapitulates the highlights of the Civil Rights movement and firmly situates Obama in the context of American racism. The article is full of quotables. The one that sticks in my mind is this: "Race is, among other things, a performance." Certainly this is now true, since traditional communities have fallen apart, leaving poor young urban blacks with nothing but the representation of blackness, a style.
I am now halfway through watching the HBO series, "The Wire," season 4, which is portraying rather breathlessly the attempt to save Baltimore, a "black" city. In the first three seasons the picture in "The Wire" was of a desperate city on its way to hell. Well now the cleanup is beginning. The city is too valuable to be allowed to fall apart. The turnaround is underway, but it is a race between reform and disaster, and it isn't easy to tell who will win.
An Italian American has been elected Mayor with a little help from his "friends." It is hard to know whether he will succumb to corruption or become a real reformer, but he has rebuffed an attempted seduction by a campaign worker, so things look hopeful. He wants to be honest. Can he be? Will he be?
I am fascinated by "The Wire's" dramatization of the everyday doings in a Baltimore City school. I have had several students in my prison classes who were like the tough customers depicted here, unable to sit still, cursing constantly, full of contempt, impulsive, lashing out.
In a pilot program, several of these problem kids are removed from class and intensively supervised and educated, mostly against their will. They are not suspended or allowed to drop out. Removing them from regular classes allows the teachers to make headway with the less disruptive kids. The principal, a direct, quiet and very hard-headed woman, emerges as the heroine of her school. I've known women like her. I may have more to say when I've finished all the programs.
And to wind this up: I was initially disappointed in a book I'm reading now: Global Transformations by Michel-Rolph Trouillot. Part of it was his unusual writing style: another was that he was saying new things and I had to get familiar with his ideas. His critique of the use of the word "culture" as if it were more than a word is something I need to think about. The most egregious example is, of course, black culture. He takes on the notion of "The West" as an entity too in a very sophisticated argument. What he is attempting, I think, is to break down dichotomies. More later, maybe.